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- The Movies That Made Me: David Morse
- The Movies That Made Me: Clayne Crawford
- The Movies That Made Me: Dr. Z (Dana Gould)
- The Movies That Made Me: Billie Piper
- The Movies That Made Me: B. Goldthwait/D. Gould
- The Movies That Made Me: Mitch Watson
- The Movies That Made Me: Alex Kurtzman-Jenny Lumet
- The Movies That Made Me: Antonio Campos
- The Movies That Made Me: Sterlin Harjo
- The Movies That Made Me: Roger and Gala Avary
- The Movies That Made Me: Titus Welliver
- The Movies That Made Me: Boots Riley
- The Movies That Made Me: Scott Alexander
- Collectible Magazines
- The Movies That Made Me: Robert Krzykowski
- The Movies That Made Me: Brit Marling, Part II
- The Movies That Made Me: Casper Kelly
- The Movies That Made Me: Glenn Howerton
- The Movies That Made Me: Alex Scharfman
- The Movies That Made Me: Sean Byrne
- Hundreds of Hits Only $8.78
- The Movies That Made Me: Scott Cooper
- Save With Our Recent Hits Roundup
- Region Free Imports for Collectors
- The Movies That Made Me: Daniel Bessner
- Array of Award Winnners
- Amazing Action Sale
- Fear Favorites for Less With Our Horror Sale
- Marked-Down Mysteries in Our Suspense Sale
- Buys on Franchise Favorites
- Page to Screen Sale
- Flip Over These Fan Favorites
- Favorites on 4K Ultra HD
- Martial Arts Mayhem and More from 88 Films
- Film Finds from Fun City Editions
- Better looking than ever on Blu-ray!
- Tons of TV Treasures on sale!
Impatient with low-level police work, rookie cop Chui (Eddie Chen) recklessly accepts his superior's offer to go undercover. With few ties and an ambiguous moral compass that soon starts to spin out of control, his life outside the underworld begins to crumble. Following the success of Cops and Robbers (1979), Alex Cheung's MAN ON THE BRINK further redefined the Hong Kong crime sub-genre. While indebted to New Hollywood staples such as Sidney Lumet's Serpico (1973), this Best Director, Best Screenplay, and Best Actor Golden Horse Award winner unleashed a new appetite for undercover cop mayhem, prefiguring classics such as the Infernal Affairs trilogy (2002-2003) with it's jaw-dropping synthesis of urban grit, realistic drama, and high stakes, captured with evocative hand-held, on-location camerawork. A missing link - if not a turning point - in Hong Kong action cinema, ready to be rediscovered.

